I don’t watch Hollywood films like I used to. Sure, the occasional sci-fi/ superhero movie or romcom is good for the soul. But theatre has completely changed for me, ever since I discovered award-winning African independent films and documentaries.
Now everybody knows movies are part of our culture. Just ask any Kenyan what they like to do for fun and they will either mention watching movies or listening to music. Or both.
Kenyan music is already killing it with NuNairobi musicians doing the most. Organizing more live shows, promoting their music online, selling cool badges and hoodies, and releasing quality albums on their own without record labels. It’s basically a DIY movement. And Kenyan filmmakers have decided it’s time to join the crew and create African magic.
I’ll admit – sometimes it takes an international award to recognize a new Kenyan film. And of late, they’ve been winning in plenty which is an indication of high quality.
Now as long as I see a movie is Kenyan and has made it to the cinema, I’m in.
If someone asked me what top Kenyan movies they should watch (which you probably have, subconsciously) here’s what I’d tell
1. Kati Kati
For anyone who cares to listen, I tell them Kati Kati is probably my favorite Kenyan film so far. It’s also the movie that publicly changed the Kenyan game. For starters, the 2016 film premiered in Nairobi during the first edition of NBO Film Fest, the brainchild of Mbithi Masya and Sheba Hirst meant to showcase award-winning African indie films. The Kenyan film also made news when it won at the Toronto International Film Festival … then everybody wanted to see it. Including myself.
Kati Kati has a unique storyline that you can’t foresee even with the strongest binoculars. It’s about the mystical afterlife which we rarely think about yet secretly haunts us. What will happen to us when we die?
Other than Elsaphan Njora’s sobering acting, I fell in love with the movie soundtrack. Especially the final track Find Us A Way by Mayonde, the director’s gorgeous wife. It always sends goosebumps all over my body, which is how the award-winning movie by Mbithi left me.
So, who wants to watch Kati Kati on Showmax?
2. Watu Wote
You’ve might have heard of this short film that made it to the Oscars. Yes, the one and only. It’s a Kenyan-German production by graduates from Hamburg Media School in Germany and the Africa Digital Media Institute (ADMI) in Nairobi. Speaking of, how many film colleges in Kenya do you know?
Well, Watu Wote made history in 2017 as the first Kenyan film nominated in the category of the best short live-action film at the 90th Oscars. The Kenyan team proudly dazzled in their African red carpet outfits at Dolby Theatre, Hollywood while brushing shoulders with the Wakanda Nation. How do I know this? They showed off the photos after a screening at the second NBO Film Fest.
They didn’t win the Oscar but won a lot of hearts and cheers that night at Prestige Cinema. I was left mopping my eyes after realizing the short film is based on a true story. The 26-minute film about a Mandera bus attack goes beyond terrorism and Al Shabaab to demonstrate a story of humanity and compassion. Yes, there is hope in Kenya.
Good news people. The Student Academy winner and the Oscar-nominated film will be screening at Kenya National Theatre on 12th-13th October, at 2.00pm during Somali Heritage Week 2018. I bet watu wote will be there.
3. 18 hours
Here’s another award-winning Kenyan movie that was inspired by a true story. The main stars are media personality Nick Ndeda, and actor Brian Ogola from Too Early for Birds – who honestly stole the show. The two show up as a Kenyan paramedic and ambulance driver respectively who are stuck with a road accident victim for 18 hours because they can’t find an available hospital. And we follow them on a gruelling journey as they run out of time to save his life.
18 hours brought the sad story of healthcare in Kenya closer home. Sadly, I was one of the people who missed the movie premiere screenings in November 2017. So when I found out it was showing during the European Film Festival in May 2018, I couldn’t miss it.
This one touched a lot of emotions. I was at the edge of my seat during most of the heart-rending 70 minutes. I almost couldn’t believe the tears that burst out of me, seeing the anguish of the helpless widow played by Sue Wanjiru.
After the free movie screening at Alliance Francaise, we had a Q&A session with the director Njue Kevin and a couple of medical experts. We learnt from them that the family of Alex Madaga was compensated and there’s a health bill drafted to prevent such an unnecessary death from happening again. They even gave us ambulance contact cards to pass to our family members. Because free emergency care is a right for every Kenyan.
With time 18 hours caught the right world attention. It won three awards at Africa Magic Viewers Choice Awards 2018 in Nigeria for Best Film Editor, Best East African movie (previously won by Kati Kati), and Best Film Overall, received by producer Phoebe Ruguru. Now, doesn’t that make you want to watch it?
4. Supa Modo
This 2018 Kenyan movie had an unforgettable premiere at NBO film Fest 2 in May 2018. I remember Prestige Cinema was so packed during the second screening that a couple had to sit on the stairs in order to get a satisfying view. Some attendees from the premier night even came to watch it again.
In all of the 5 African movies I watched during the Nairobi Film Festival, this was the one that received a standing ovation. From proud Kenyans. And solicited a lot of tears, even from grown men.
The family drama is about a young girl who dreams of being a superhero but her health says otherwise. Starting as a wild idea from her elder sister, her village decides to make her childish dream come true. The plot is almost fantastical, but the Kikuyu dialogue and rural environment made it so relatable.
I was so proud to hear Kenyan music playing throughout the movie, starting with Don Ngartia’s Mirabelle and later Just A Band. The project also involved the creative minds of musician Silas Miami, Kenyan filmmaker Mugambi Nthiga and the video producer Enos Olik.
(Fun fact: Did you know Jo’s elder sister is the same girl in Ayrosh’s music video for Shuga Mami? Yup, I was shocked too.)
Supa Modo was only meant for NBO. Instead, it ended up screening for almost 2 months in Nairobi and Mombasa. Even Nigerian artist Mr Eazi who was in town caught it at the cinema. I think these raving reactions on Twitter had something to do with it.
The director Likarion Wainaina must be such a happy man. The 2018 movie has already won 21 awards in total including at the local Riverwood Awards and has screened in over 30 film festivals around the world. Most recently, it was submitted as Kenya’s official submission to the Oscars 2019. Win win win.
And to think the film idea started with a dream. Like an actual sleep dream.
Like me, you probably first heard about Kenyan filmmaker Wanuri Kahiu thanks to the fantastical Africa Nouveau Festival. She’s the one behind the 2018 theme Afrobubblegum: fun, fierce and frivolous. There’s even a TED talk about it.
A little background on Wanuri: she directed the award-winning sci-fi short film “Pumzi” which screened at the 2010 Sundance Film Festival. And her latest movie Rafiki became the first Kenyan film to premiere at the Cannes Film Festival.
That’s a pretty big deal.
Wanuri says “Rafiki” was inspired by the 2007 Caine Prize winner “Jambula Tree” by Monica Arac de Nyeko, a novel about two girls in love in Uganda. So she dared to tell her own lesbian love story of two “rafikis” in this conservative Kenya. And to make things worse, their families are on opposite political sides.
Just like Supa Modo, the 2018 film boasts a full Kenyan cast and soundtrack. It was the first time on screen for Samantha Mugatsia “Sam” the drummer of Yellow Light Machine as Kena, and another run for seasoned actress Sheila Munyiva as the colourful Ziki. Stylist Wambui Thimba dressed both lead actresses in Peperuka, Chilli Mango and other made in Kenya fashion brands. In the background of their complicated love drama is fierce music from Kenyan female musicians Muthoni Drummer Queen, Chemutai Sage, Trina Mungai and Mumbi Kasumba. Yes, it was a #SHE affair.
My favorite soundtrack is Njoki Karu’s Secret Love.
This was a Kenyan first, and not just at Cannes. Wanuri was brave enough to tackle a real human issue that affects marginalised people globally. Despite the heights this Kenyan film has taken us, the Kenya Film Classification Board was quick to ban the movie for its bold theme. This only increased our appetite to watch it.
Doesn’t it make you want to peel off your sweater?
Rafiki reminds me of Stories of our lives by Nest Collective, an anthology film inspired by true stories of LGBT people living in Kenya. And it came with a dreamy soundtrack by Jim Chuchu who was part of Just A Band. Indie Wire called it “a beautiful little film about love, about humanity”.
The highly-praised film premiered at the 2014 Toronto International Film Festival. However, it was also rejected at home because it “promotes homosexuality”.
Even though KFCB aka the moral police banned Rafiki, the high court overruled the ban for a week in order for it to qualify for The Oscars. The only condition, it was to be rated over 18 – as it should have been in the first place. And young adults turned up in numbers to finally exercise their right to consume Kenyan content. The demand was so high during #SevenDaysofRafiki that screenings were added in Mombasa, Kisumu and Nairobi.
I guess you can say our curiosity was fully quenched.
Now that the 7 days are over and the Oscars 2019 selection has been submitted, Wanuri is back to court to challenge the ban. Let’s keep tabs on Twitter and see how that goes. People Power always wins.
Speaking of banning, some wonder why nobody banned this movie for promoting sexuality. Disconnect, a modern Kenyan romantic comedy, premiered on the last day of NBO film fest 2018. It was directed by Tosh Gitonga, the same guy who directed Nairobi Half Life. We’ll always remember his 2010 action film for being so down to earth by showing the city’s dark notorious side of Nairoberry.
Anyway, Disconnect features every Kenyan actor you probably know – Brenda Wairimu, Nick Mutuma, Patricia Kihoro, Pascal Tokodi. I mean, don’t all romantic comedies do? The Kenyan movie is set in uptown Nairobi and features a lot of Sauti Sol music (cues Friendzone).
Following in the steps of Supa Modo, it did rounds in Kenyan cinemas in Nairobi, Kisumu and Mombasa (18 and over, please). The cinematography and cast were A1. Pascal is actually a funny man. However, the plot was a bit messy and complicated. There was definitely a disconnect.
You can watch the full movie on KOKO Prime
Who would have thought we’d be watching quality Kenyan movies the same way we watch Hollywood and Bollywood films in the cinema? I managed to watch most of these award-winning films thanks to NBO Film Festival and European Film Festival. After all, it’s rare to find quality Kenyan movies on TV or on DVD.
I’m also a huge fan of DocuBox and their free documentary screenings at Alliance Francaise every month. Their short film marathon called Shorts, Shorts and Shots every last Friday of the month at Prestige Plaza is always a treat. Where you wear shorts, watch award-winning short films as you drink shots.
It’s not just Kenyan film that’s winning, but African independent film too. If you ever come across South African drama Vaya or Zambia’s I am not a witch, thank your lucky stars. They are raw and relatable about real African issues. African filmmakers are finally telling our own stories on screen.
From the overwhelming attendance at these local film screenings, you can tell we are ready for independent Kenyan films. In no time KFCB will shift their focus from censoring movies to boosting the local film industry by building film schools, funding, and promoting our films abroad. And Kenyan movies will rule our own cinemas.
When you come across a magnificent Kenyan movie worth watching, share it with us so we can spread the love. And let’s show the world how much we’re winning. Hollywood has been on top long enough.